Research Article | | Peer-Reviewed

Legendary Brand of the Republic of China: A Study on the Evolution of the Two Girls Brand Trademark

Received: 21 March 2025     Accepted: 9 April 2025     Published: 14 April 2025
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Abstract

Founded in 1898 by Fung Fuk-tin in Hong Kong, the Two Girls Brand emerged from the complex colonial context of British Hong Kong (established in 1842), embodying a unique hybridity of Eastern and Western cultural influences. The brand’s visual identity evolved through three distinct phases: the original colonial-era logo (late 19th to early 20th century), a modified version used in Shanghai during China's public-private partnership period (1950s), and a contemporary redesign introduced after 2010. These transformations reflect China’s broader socioeconomic trajectory—from semi-colonialism through socialist reform to global integration. In the 21st century, China's economic rise and intensified Shanghai-Hong Kong collaboration (via mechanisms such as CEPA and the Shanghai Free Trade Zone) have facilitated Two Girls’ repositioning as a case study in heritage brand revitalization and the rise of “Guochao” (国潮) nationalism. The brand’s century-long evolution offers critical insights into colonial modernity, transitions in consumer culture, and the repackaging of historical legacies in contemporary China.

Published in Science Innovation (Volume 13, Issue 1)
DOI 10.11648/j.si.20251301.12
Page(s) 7-10
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2025. Published by Science Publishing Group

Keywords

Modern and Contemporary History, Two Girls Brand, Chinese Cosmetics Brands, National Brands

References
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[2] Draelos, Z. D. Cosmetics and Skin Care Products: A Historical Perspective. Dermatologic Clinics. 2000, 18(4), 557–559.
[3] 宋钻友. 近代上海女性的化妆新观念与化妆品消费. 中国史研究前沿. 2020, 15(3), 482–509.
[4] 王子初. 近代上海广生行化妆品商业美术研究 (1910~1948) [D]. 宁波大学, 2022.
[5] 子昱. «“双妹”薄命?》. 当代经理人. 2010, (07), 23. https://doi.org/CNKI:SUN:JJLW.0.2010-07-015
[6] 郭丽. 见证引领百年上海名媛文化活力——记中国化妆品品牌活化石双妹. 中国化妆品. 2021, (07), 36–37.
[7] 张婷.民国月份牌中女性形象的叙述研究.收藏与投资. 2024, 15(09), 175–177.
[8] 卜京. 月份牌画风格在上海老化妆品牌包装中的再设计——以双妹为例. 今传媒. 2018, 26(08), 111–113.
[9] 曹潇丹. 民国时期上海水彩艺术嬗变月份牌商业化研 [D]. 江南大学, 2023.
[10] Laing, Ellen Johnston. Selling Happiness: Calendar Posters and Visual Culture in Early-Twentieth-Century Shanghai. Honolulu: University of Hawaii Press, 2004.
[11] 黄锴. 复活双妹: 上海家化准备好了吗? 中国品牌. 2011, (12), 78–80.
[12] 李光安, 施秉慧. 视觉叙事在老字号美妆品牌形象设计中的应用——以“双妹”品牌为例 [J]. 设计. 2024, 9(2), 588–595.
[13] 刘琼. 上海家化借复活“双妹”进军奢侈品行业 [N]. 第一财经日报, 2010-08-24(C03).
[14] Victor Papanek. Designer for the Real World. March 2021.
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  • APA Style

    Zhang, H. (2025). Legendary Brand of the Republic of China: A Study on the Evolution of the Two Girls Brand Trademark. Science Innovation, 13(1), 7-10. https://doi.org/10.11648/j.si.20251301.12

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    ACS Style

    Zhang, H. Legendary Brand of the Republic of China: A Study on the Evolution of the Two Girls Brand Trademark. Sci. Innov. 2025, 13(1), 7-10. doi: 10.11648/j.si.20251301.12

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    AMA Style

    Zhang H. Legendary Brand of the Republic of China: A Study on the Evolution of the Two Girls Brand Trademark. Sci Innov. 2025;13(1):7-10. doi: 10.11648/j.si.20251301.12

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  • @article{10.11648/j.si.20251301.12,
      author = {Han Zhang},
      title = {Legendary Brand of the Republic of China: A Study on the Evolution of the Two Girls Brand Trademark
    },
      journal = {Science Innovation},
      volume = {13},
      number = {1},
      pages = {7-10},
      doi = {10.11648/j.si.20251301.12},
      url = {https://doi.org/10.11648/j.si.20251301.12},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.si.20251301.12},
      abstract = {Founded in 1898 by Fung Fuk-tin in Hong Kong, the Two Girls Brand emerged from the complex colonial context of British Hong Kong (established in 1842), embodying a unique hybridity of Eastern and Western cultural influences. The brand’s visual identity evolved through three distinct phases: the original colonial-era logo (late 19th to early 20th century), a modified version used in Shanghai during China's public-private partnership period (1950s), and a contemporary redesign introduced after 2010. These transformations reflect China’s broader socioeconomic trajectory—from semi-colonialism through socialist reform to global integration. In the 21st century, China's economic rise and intensified Shanghai-Hong Kong collaboration (via mechanisms such as CEPA and the Shanghai Free Trade Zone) have facilitated Two Girls’ repositioning as a case study in heritage brand revitalization and the rise of “Guochao” (国潮) nationalism. The brand’s century-long evolution offers critical insights into colonial modernity, transitions in consumer culture, and the repackaging of historical legacies in contemporary China.
    },
     year = {2025}
    }
    

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    AB  - Founded in 1898 by Fung Fuk-tin in Hong Kong, the Two Girls Brand emerged from the complex colonial context of British Hong Kong (established in 1842), embodying a unique hybridity of Eastern and Western cultural influences. The brand’s visual identity evolved through three distinct phases: the original colonial-era logo (late 19th to early 20th century), a modified version used in Shanghai during China's public-private partnership period (1950s), and a contemporary redesign introduced after 2010. These transformations reflect China’s broader socioeconomic trajectory—from semi-colonialism through socialist reform to global integration. In the 21st century, China's economic rise and intensified Shanghai-Hong Kong collaboration (via mechanisms such as CEPA and the Shanghai Free Trade Zone) have facilitated Two Girls’ repositioning as a case study in heritage brand revitalization and the rise of “Guochao” (国潮) nationalism. The brand’s century-long evolution offers critical insights into colonial modernity, transitions in consumer culture, and the repackaging of historical legacies in contemporary China.
    
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Author Information
  • Design College, Seoul National University, Seoul, Korean

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