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Arundhati Roy’s: The God of Small Things: As a Hybrid Linguistic Text

Received: 7 May 2019     Accepted: 10 June 2019     Published: 25 June 2019
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Abstract

This study focuses Arundhati Roy’s The God of Small Things (TGST). Roy is an Indian writer and activist in women’s studies. She published her novel in 1997. It is semi-autobiographical and a major part captures her childhood experiences in Aymanam. The plot of the novel taken place in Ayemenem, in Kerala, an Indian state. Kerala is small India, because it is like India for having a complex and multicultural society. In the novel, Indian situations and characters are models for postcolonial outlook. India is a country which was colonized by British Empire at the end of the sixteenth century. This land had important benefit for Britain. This colonization affected Indian society, culture, and literature. The present researcher tried to analyze some postcolonial concepts. The novel challenged static notions of identity, specifically the construction of postcolonial women too. Roy as a hybrid diasporic woman tried to relate to gender and caste among other social concerns. She tried to express her own experience in her own voice. She used the Western language against colonialism itself. It is a kind of resistance. The present researcher tried to discuss the notion of hybridity and postcolonial resistance in TGST. This notion can be seen in several cases in the novel. Hybridity is a significant issue in the novel. Postcolonial resistance is an important issue in the novel. When Roy uses English language which it is a colonial language, she does a kind of resistance against colonization itself. Roy refers to the children’s life and language as a means of resistance.

Published in International Journal of Information and Communication Sciences (Volume 4, Issue 2)
DOI 10.11648/j.ijics.20190402.11
Page(s) 35-45
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2019. Published by Science Publishing Group

Keywords

Hybridity, Diaspora, Post Colonialism, Language, Resistance

References
[1] Anderson, Benedict. Imagined Communities. London and New York: Verso, 1983.
[2] Postcolonial Studies (The Key Concepts). New York: Routledge, 2007.
[3] The Postcolonial Studies Reader. New York: Routledge, 2006.
[4] Wisker, Gina. Key Concepts in Postcolonial Literature. London: Palgrave, 2007
[5] Said, Edward. Orientalism. London: Penguin Books, 2003.
[6] Tickell, Alex. Arundhati Roy's The God of Small Things. New York: Routledge, 2007.
[7] Bhabha, Homi K. Nation & Narration. New York: Routledge, 2000.
[8] The Location of Culture. New York: Routledge, 1994.
[9] Benson, Eugene and L. W. Conolly. Encyclopedia of Postcolonial Literatures in English. New York: Routledge, 2005.
[10] Agustin Reyes, Torres, Roy’s Inglish in The God of Small Things: A Language for Subversion, Reconciliation and Reassertion from https://www.researchgate.net/publication (1998)
[11] Tickell, Alex. Arundhati Roy's The God of Small Things. New York: Routledge, 2007.
[12] Tiffin, Chris and Alan Lawson. De-Scribing Empire. New York: Routledge, 2002.
[13] Waugh, Patricia. Literary Theory and Criticism. Oxford: Oxford University Press, 2006.
[14] Wisker, Gina. Key Concepts in Postcolonial Literature. London: Palgrave, 2007.
[15] Woodward Kath, Understanding Identity. Great Britain: Oxford University Press, 2002.
[16] Young J. C, Robert. Colonial Desire. New York: Routledge, 2005.
[17] Young, Robert. Postcolonialism. London: Blackwell Publishing Ltd., 2001.
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  • APA Style

    Shiva Zaheri Birgani. (2019). Arundhati Roy’s: The God of Small Things: As a Hybrid Linguistic Text. International Journal of Information and Communication Sciences, 4(2), 35-45. https://doi.org/10.11648/j.ijics.20190402.11

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    ACS Style

    Shiva Zaheri Birgani. Arundhati Roy’s: The God of Small Things: As a Hybrid Linguistic Text. Int. J. Inf. Commun. Sci. 2019, 4(2), 35-45. doi: 10.11648/j.ijics.20190402.11

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    AMA Style

    Shiva Zaheri Birgani. Arundhati Roy’s: The God of Small Things: As a Hybrid Linguistic Text. Int J Inf Commun Sci. 2019;4(2):35-45. doi: 10.11648/j.ijics.20190402.11

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  • @article{10.11648/j.ijics.20190402.11,
      author = {Shiva Zaheri Birgani},
      title = {Arundhati Roy’s: The God of Small Things: As a Hybrid Linguistic Text},
      journal = {International Journal of Information and Communication Sciences},
      volume = {4},
      number = {2},
      pages = {35-45},
      doi = {10.11648/j.ijics.20190402.11},
      url = {https://doi.org/10.11648/j.ijics.20190402.11},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijics.20190402.11},
      abstract = {This study focuses Arundhati Roy’s The God of Small Things (TGST). Roy is an Indian writer and activist in women’s studies. She published her novel in 1997. It is semi-autobiographical and a major part captures her childhood experiences in Aymanam. The plot of the novel taken place in Ayemenem, in Kerala, an Indian state. Kerala is small India, because it is like India for having a complex and multicultural society. In the novel, Indian situations and characters are models for postcolonial outlook. India is a country which was colonized by British Empire at the end of the sixteenth century. This land had important benefit for Britain. This colonization affected Indian society, culture, and literature. The present researcher tried to analyze some postcolonial concepts. The novel challenged static notions of identity, specifically the construction of postcolonial women too. Roy as a hybrid diasporic woman tried to relate to gender and caste among other social concerns. She tried to express her own experience in her own voice. She used the Western language against colonialism itself. It is a kind of resistance. The present researcher tried to discuss the notion of hybridity and postcolonial resistance in TGST. This notion can be seen in several cases in the novel. Hybridity is a significant issue in the novel. Postcolonial resistance is an important issue in the novel. When Roy uses English language which it is a colonial language, she does a kind of resistance against colonization itself. Roy refers to the children’s life and language as a means of resistance.},
     year = {2019}
    }
    

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Author Information
  • Department of English Language and Literature, Boroujerd Branch, Islamic Azad University, Boroujerd, Iran

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