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The Study of Arundhati Roy’s The God of Small Things: History, Diaspora, Hybridity, Women

Received: 3 April 2019     Accepted: 3 June 2019     Published: 17 June 2019
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Abstract

From the fifteenth century to the twentieth century, the Europeans colonized the lands in other continents. In the nineteenth century, the main political purpose promoted the newly-born genre named ‘novel’. In developing the dominance of colonization, writers played a main role. Knowledge and power are the dominating themes that over-rule the deep nature of imperialism and literature. These themes indicate the superior literature, culture and tradition as the standard form of acceptance. Colonization is a period of time. This is history itself. In the result of the colonization, the migration and transition were not avoidable issues. Therefore, in this displacement, the new identity has been made. People’s customs, cultures and beliefs are mixed with colonizers’ unconsciously. India is a multicultural country. There are many various cultures in this country. And also during the colonization and the dominance of Britain over India, the changes were made in its customs and cultures. Arundhati Roy is an Indian writer and female activist. The plot of Roy’s novel is made from the ancient history of the Syrian-Christian community and the complex intermixture of their faith with local Hindu social structures. In such society, people married other people with different beliefs. The present research intends to analyze the mentioned novel based on postcolonial studies. The concepts that can be mentioned in this novel are history, diaspora, hybridity, the role of women in Indian society, globalization, and resistance.

Published in Arabic Language, Literature & Culture (Volume 4, Issue 1)
DOI 10.11648/j.allc.20190401.13
Page(s) 21-31
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2019. Published by Science Publishing Group

Keywords

Post Colonialism, Resistance, Diaspora, Hybridity, Orientalism

References
[1] Ashcroft, Bill et al. The Postcolonial Studies Reader. New York: Routledge, 2006.
[2] Bhabha, Homi K. Nation & Narration. New York: Routledge, 2000.
[3] The Location of Culture. New York: Routledge, 1994.
[4] Loomba, Ania. Colonialism/Postcolonialism. London: Routledge, 1998.
[5] Loomba, Ania. Postcolonial Studies. London and Durham: Duke University Press, 2000.
[6] Loomba, Ania et al. Postcolonial Studies and Beyond. London and Durham: Duke University Press, 2005.
[7] Mashale, Dr. Ashok. “The Postcolonial Perspectives in Indian English Novels”. Indian Stream Research Journal. 2011: 32-3.
[8] McLeod, John. Beginning Postcolonialism. Manchester: Manchester University Press, 2000.
[9] Roy, Arundhati. The God of Small Things. Islamabad: Harpernnial, 1998.
[10] Said, Edward. Orientalism. London: Penguin Books, 2003.
[11] Said W, Edward. Culture and Imperialism. New York: Vintage Books, 1993.
[12] Tickell, Alex. Arundhati Roy's The God of Small Things. New York: Routledge, 2007.
[13] Wisker, Gina. Key Concepts in Postcolonial Literature. London: Palgrave, 2007.
[14] Woodward Kath, Understanding Identity. Great Britain: Oxford University Press, 2002.
[15] Young J. C, Robert. Colonial Desire. New York: Routledge, 2005.
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  • APA Style

    Shiva Zaheri Birgan, Sayyed Rahim Moosavinia. (2019). The Study of Arundhati Roy’s The God of Small Things: History, Diaspora, Hybridity, Women. Arabic Language, Literature & Culture, 4(1), 21-31. https://doi.org/10.11648/j.allc.20190401.13

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    ACS Style

    Shiva Zaheri Birgan; Sayyed Rahim Moosavinia. The Study of Arundhati Roy’s The God of Small Things: History, Diaspora, Hybridity, Women. Arab. Lang. Lit. Cult. 2019, 4(1), 21-31. doi: 10.11648/j.allc.20190401.13

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    AMA Style

    Shiva Zaheri Birgan, Sayyed Rahim Moosavinia. The Study of Arundhati Roy’s The God of Small Things: History, Diaspora, Hybridity, Women. Arab Lang Lit Cult. 2019;4(1):21-31. doi: 10.11648/j.allc.20190401.13

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  • @article{10.11648/j.allc.20190401.13,
      author = {Shiva Zaheri Birgan and Sayyed Rahim Moosavinia},
      title = {The Study of Arundhati Roy’s The God of Small Things: History, Diaspora, Hybridity, Women},
      journal = {Arabic Language, Literature & Culture},
      volume = {4},
      number = {1},
      pages = {21-31},
      doi = {10.11648/j.allc.20190401.13},
      url = {https://doi.org/10.11648/j.allc.20190401.13},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.allc.20190401.13},
      abstract = {From the fifteenth century to the twentieth century, the Europeans colonized the lands in other continents. In the nineteenth century, the main political purpose promoted the newly-born genre named ‘novel’. In developing the dominance of colonization, writers played a main role. Knowledge and power are the dominating themes that over-rule the deep nature of imperialism and literature. These themes indicate the superior literature, culture and tradition as the standard form of acceptance. Colonization is a period of time. This is history itself. In the result of the colonization, the migration and transition were not avoidable issues. Therefore, in this displacement, the new identity has been made. People’s customs, cultures and beliefs are mixed with colonizers’ unconsciously. India is a multicultural country. There are many various cultures in this country. And also during the colonization and the dominance of Britain over India, the changes were made in its customs and cultures. Arundhati Roy is an Indian writer and female activist. The plot of Roy’s novel is made from the ancient history of the Syrian-Christian community and the complex intermixture of their faith with local Hindu social structures. In such society, people married other people with different beliefs. The present research intends to analyze the mentioned novel based on postcolonial studies. The concepts that can be mentioned in this novel are history, diaspora, hybridity, the role of women in Indian society, globalization, and resistance.},
     year = {2019}
    }
    

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    AB  - From the fifteenth century to the twentieth century, the Europeans colonized the lands in other continents. In the nineteenth century, the main political purpose promoted the newly-born genre named ‘novel’. In developing the dominance of colonization, writers played a main role. Knowledge and power are the dominating themes that over-rule the deep nature of imperialism and literature. These themes indicate the superior literature, culture and tradition as the standard form of acceptance. Colonization is a period of time. This is history itself. In the result of the colonization, the migration and transition were not avoidable issues. Therefore, in this displacement, the new identity has been made. People’s customs, cultures and beliefs are mixed with colonizers’ unconsciously. India is a multicultural country. There are many various cultures in this country. And also during the colonization and the dominance of Britain over India, the changes were made in its customs and cultures. Arundhati Roy is an Indian writer and female activist. The plot of Roy’s novel is made from the ancient history of the Syrian-Christian community and the complex intermixture of their faith with local Hindu social structures. In such society, people married other people with different beliefs. The present research intends to analyze the mentioned novel based on postcolonial studies. The concepts that can be mentioned in this novel are history, diaspora, hybridity, the role of women in Indian society, globalization, and resistance.
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Author Information
  • Department of English Language and Literature, Boroujerd Branch, Islamic Azad University, Boroujerd, Iran

  • Shahid Chamran University of Ahvaz, Ahvaz, Iran

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