Futurism, Henri Bergson and Mina Loy’s Female Consciousness

Tan Yujie

doi:doi:10.11648/j.hss.20160402.15

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Futurism, Henri Bergson and Mina Loy’s Female Consciousness

Tan Yujie

Published in Humanities and Social Sciences (Volume 4, Issue 2)

Received: 18 April 2016 Accepted: Published: 19 April 2016

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Abstract

This paper is concerned with Mina Loy’s female consciousness in her poetry between the year of 1914 and 1920. The first two parts separately discuss how Futurism and Henri Bergson influence Loy. The two influences are concentrated on two different aspects of poems—form and content. Moreover, this paper also finds that the concept of intuition connects Futurism to Henri Bergson in a successive way but inconsistent at the same time. The third part attempts to reveal the controversial points in Loy’s female consciousness. The three parts as a unity tend to picture Loy’s feminist project.

Published in	Humanities and Social Sciences (Volume 4, Issue 2)
DOI	10.11648/j.hss.20160402.15
Page(s)	46-52
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Futurism, Henri Bergson, Mina Loy, Poetry, Female Consciousness

References

[1]	Antonello, Pierpaolo & Härmänmaa, Marja, ‘Introduction: Future Imperfect—Italian Futurism between Tradition and Modernity’, The European Legacy: Toward New Paradigms, Vol. 14. 7(2009), p 777-84
[2]	Bergson, Henri, ‘The Divergent Directions of the Evolution of Life -- Torpor, Intelligence, Instinct’, Creative Evolution, trans. by Arthur Mitchell, (New York: Henry Holt and Company, 1911)
[3]	Bloom Harold, The Art of Reading Poetry (New York: Harper Perennial, 2005)
[4]	Burke, Carolyn. Becoming Modern: The Life of Mina Loy (New York: Farrar, Straus, and Giroux, 1996)
[5]	Clark, Martin, ‘Marinetti and the future perfect’, Futures, Vol. 10. 4 (1978), p322-26
[6]	DuPlessis, Rachel Blau,, The Pink Guitar: Writing as Feminist Practice, (Alabama: University Alabama Press, 2006), p109
[7]	Harlan, Megan, ‘Becoming Modern’, Salon, Vol. 9.7 (1996), p56
[8]	Kouidis, Virginia M., ‘Rediscovering Our Sources: The Poetry of Mina Loy’, Boundary2: A Journal of Postmodern Literature, Vol. 8, No. 3 (1980), p167-88
[9]	Leitch, Vincent B, ed., 'Feminism, Hélène Cixous', in The Norton Anthology of Theory and Criticism (New York: W. W. Norton & Company, 2001)
[10]	Loy, Mina, the Lost Lunar Baedeker Poems, ed. Roger L. Conover (Manchester: Carcanet Press, 1997)
[11]	Lusty, Natalya, ‘Sexing the Manifesto: Mina Loy, Feminism and Futurism’, Women: A Cultural Review, Vol. 19. 3(2008), p 245-60
[12]	Lyon, Janet, ‘Mina Loy’s Pregnant Pauses: the Space of Possibility in the Florence Writings’, Mina Loy: Woman and Poet, p 391-395
[13]	Maria, De, Luciano, ‘Introduzione in F. T. Marinetti’, Teoria e invenzione futurista (Milan: Mondadori, 1968)
[14]	Marinetti, F. T., Selected Writings, ed. R. W. Flint, trans. R. W. Flint and Arthur A. Capotelli (New York: Farrar, Straus and Giroux, 1971)
[15]	Marianne Martin, Futurist Art and Theory (Oxford: Oxford University Press, 1968)
[16]	Newbolt, Henry, A New Study of English Poetry (London: Forgotten Books, 2013)
[17]	Re, Lucia, ‘Mina Loy and the Quest for a Futurist Feminist Woman’, The European Legacy: Toward New Paradigms, Vol. 14. 7(2009), p799-819
[18]	Schmid, Julie, ‘Mina Loy’s Futurist Theater’, Performing Arts Journal, Vol. 18. 1(1996), p 1-7
[19]	Shreiber, Maeera and Keith Tuma, ed. Mina Loy: Woman and Poet (Orono ME: National Poetry Foundation, 1998)
[20]	Zeng, Xuejing, 'Emphatically giving to full play subjectivity of the educated in medical ethics education', Journal of China Higher Medical Education, No. 5 (2002), p 12

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Tan Yujie. (2016). Futurism, Henri Bergson and Mina Loy’s Female Consciousness. Humanities and Social Sciences, 4(2), 46-52. https://doi.org/10.11648/j.hss.20160402.15

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Tan Yujie. Futurism, Henri Bergson and Mina Loy’s Female Consciousness. Humanit. Soc. Sci. 2016, 4(2), 46-52. doi: 10.11648/j.hss.20160402.15

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Tan Yujie. Futurism, Henri Bergson and Mina Loy’s Female Consciousness. Humanit Soc Sci. 2016;4(2):46-52. doi: 10.11648/j.hss.20160402.15

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@article{10.11648/j.hss.20160402.15,
  author = {Tan Yujie},
  title = {Futurism, Henri Bergson and Mina Loy’s Female Consciousness},
  journal = {Humanities and Social Sciences},
  volume = {4},
  number = {2},
  pages = {46-52},
  doi = {10.11648/j.hss.20160402.15},
  url = {https://doi.org/10.11648/j.hss.20160402.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.hss.20160402.15},
  abstract = {This paper is concerned with Mina Loy’s female consciousness in her poetry between the year of 1914 and 1920. The first two parts separately discuss how Futurism and Henri Bergson influence Loy. The two influences are concentrated on two different aspects of poems—form and content. Moreover, this paper also finds that the concept of intuition connects Futurism to Henri Bergson in a successive way but inconsistent at the same time. The third part attempts to reveal the controversial points in Loy’s female consciousness. The three parts as a unity tend to picture Loy’s feminist project.},
 year = {2016}
}

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TY  - JOUR
T1  - Futurism, Henri Bergson and Mina Loy’s Female Consciousness
AU  - Tan Yujie
Y1  - 2016/04/19
PY  - 2016
N1  - https://doi.org/10.11648/j.hss.20160402.15
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AB  - This paper is concerned with Mina Loy’s female consciousness in her poetry between the year of 1914 and 1920. The first two parts separately discuss how Futurism and Henri Bergson influence Loy. The two influences are concentrated on two different aspects of poems—form and content. Moreover, this paper also finds that the concept of intuition connects Futurism to Henri Bergson in a successive way but inconsistent at the same time. The third part attempts to reveal the controversial points in Loy’s female consciousness. The three parts as a unity tend to picture Loy’s feminist project.
VL  - 4
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ER  -

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Author Information

Tan Yujie

School of English, University of Leeds, Leeds, UK

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APA Style

Tan Yujie. (2016). Futurism, Henri Bergson and Mina Loy’s Female Consciousness. Humanities and Social Sciences, 4(2), 46-52. https://doi.org/10.11648/j.hss.20160402.15

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ACS Style

Tan Yujie. Futurism, Henri Bergson and Mina Loy’s Female Consciousness. Humanit. Soc. Sci. 2016, 4(2), 46-52. doi: 10.11648/j.hss.20160402.15

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AMA Style

Tan Yujie. Futurism, Henri Bergson and Mina Loy’s Female Consciousness. Humanit Soc Sci. 2016;4(2):46-52. doi: 10.11648/j.hss.20160402.15

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@article{10.11648/j.hss.20160402.15,
  author = {Tan Yujie},
  title = {Futurism, Henri Bergson and Mina Loy’s Female Consciousness},
  journal = {Humanities and Social Sciences},
  volume = {4},
  number = {2},
  pages = {46-52},
  doi = {10.11648/j.hss.20160402.15},
  url = {https://doi.org/10.11648/j.hss.20160402.15},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.hss.20160402.15},
  abstract = {This paper is concerned with Mina Loy’s female consciousness in her poetry between the year of 1914 and 1920. The first two parts separately discuss how Futurism and Henri Bergson influence Loy. The two influences are concentrated on two different aspects of poems—form and content. Moreover, this paper also finds that the concept of intuition connects Futurism to Henri Bergson in a successive way but inconsistent at the same time. The third part attempts to reveal the controversial points in Loy’s female consciousness. The three parts as a unity tend to picture Loy’s feminist project.},
 year = {2016}
}

Copy | Download

TY  - JOUR
T1  - Futurism, Henri Bergson and Mina Loy’s Female Consciousness
AU  - Tan Yujie
Y1  - 2016/04/19
PY  - 2016
N1  - https://doi.org/10.11648/j.hss.20160402.15
DO  - 10.11648/j.hss.20160402.15
T2  - Humanities and Social Sciences
JF  - Humanities and Social Sciences
JO  - Humanities and Social Sciences
SP  - 46
EP  - 52
PB  - Science Publishing Group
SN  - 2330-8184
UR  - https://doi.org/10.11648/j.hss.20160402.15
AB  - This paper is concerned with Mina Loy’s female consciousness in her poetry between the year of 1914 and 1920. The first two parts separately discuss how Futurism and Henri Bergson influence Loy. The two influences are concentrated on two different aspects of poems—form and content. Moreover, this paper also finds that the concept of intuition connects Futurism to Henri Bergson in a successive way but inconsistent at the same time. The third part attempts to reveal the controversial points in Loy’s female consciousness. The three parts as a unity tend to picture Loy’s feminist project.
VL  - 4
IS  - 2
ER  -

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