An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana

Oppong Christopher Effah; Hughes Ofori Dompreh; Eric Appau Asante; Samuel Baah Kissi

doi:doi:10.11648/j.ajad.20190404.13

| Peer-Reviewed

An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana

Oppong Christopher Effah, Hughes Ofori Dompreh, Eric Appau Asante, Samuel Baah Kissi

Published in American Journal of Art and Design (Volume 4, Issue 4)

Received: 25 July 2019 Accepted: 22 October 2019 Published: 15 November 2019

Views: Downloads:

Download PDF

Share This Article

Twitter
Linked In
Facebook

Abstract

Brass casting in Krofofrom is well known and unique; this is because it embodies a lot of history and the cultural heritage of the people of Krofofrom, which is portrayed in visual art forms. The purpose of this study was to examine the production processes employed during brass casting. This is because the current generation is losing in the ancient technology due to the problem of generational gap. The researchers critically observed the casting technology performed by the indigenes, interviewed some relevant people who have enough knowledge about the craft and could provide enough information which served as primary data. The descriptive method of qualitative research approach was employed in this study through interviews and observation. The study established that lost wax casting, which is popularly known as “cire per due” is still the most accurate and reliable means of reproducing complex shapes in brass or other metals with all the fine details of an original pattern.

Published in	American Journal of Art and Design (Volume 4, Issue 4)
DOI	10.11648/j.ajad.20190404.13
Page(s)	58-67
Creative Commons	This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Copyright	Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Krofokrom, Brass Casting, Ashanti, Culture, Tradition

References

[1]	Brass casting at Ampabame Krofoforom: a case study. Thesis by Asmah, Abraham Ekow (1992).
[2]	Crossman, A. (2014). Qualitative Research - Definition and Methods–ThoughtCo.
[3]	.https://www.thoughtco.com/qualitative-research-methods-3026555. Retrieved May 25th 2016.
[4]	Garrard F. T. (1986), “Introduction” In Asante Brass Casting. Cambridge African Studies Center, p 11.
[5]	Garrard, T. F. (1979). Akan metal arts. African arts, 13 (1), 3643100.
[6]	Kallenberg, L. (1981), Modeling in Wax for Jewellery and Sculpture. New York: Chilton Book Company.
[7]	Kissi, S. B., 2011. Evaluation of Beeswax and Core materials for Traditional Lost Wax Casting. KNUSTspace institutional repository. Unpublished.
[8]	Leclarcq, B. (2008). The Honeybee and Man. Retrieved from http://google-search.com on the 11th of August, 2009.
[9]	Martha, E. (1989), Early Akan Gold. London, African Arts, Cambridge: Cambridge African Studies Centre, Vol. 22, p. 87.
[10]	Maitland-Gholson Jane and Karen Keifa-Boyd,. (forthcoming) Expose, Explode, Empower: Visual Culture Explorations in Art Education. Davis Publication.
[11]	Ross, D. H. (1977), The Iconography of Ashanti Sword Ornament. California: African Art, African Studies Center. University of California. Vol 6, p. 18.
[12]	Silverman, R. A. (1986). Bono Brass Casting. African arts, 19 (4), 60-86.
[13]	Schaefer, R. T. (2002). Sociology: A brief introduction. 4th ed. Boston: McGraw Hill.
[14]	Sias R. F. (2005), Lost-Wax Casting Old, New and Inexpensive Method. South Carolina, Woodsmere Press, Pendleton
[15]	Waters L. (Turkington) (1993), Lost Wax Casting in Ashanti, KNUST.
[16]	Worral, W. E. A. (1986) Clay and Ceramic Raw Materials, New York: Elsevier Applied Science. p. 14.

Cite This Article

Plain Text BibTeX RIS

APA Style

Oppong Christopher Effah, Hughes Ofori Dompreh, Eric Appau Asante, Samuel Baah Kissi. (2019). An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana. American Journal of Art and Design, 4(4), 58-67. https://doi.org/10.11648/j.ajad.20190404.13

Copy | Download

ACS Style

Oppong Christopher Effah; Hughes Ofori Dompreh; Eric Appau Asante; Samuel Baah Kissi. An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana. Am. J. Art Des. 2019, 4(4), 58-67. doi: 10.11648/j.ajad.20190404.13

Copy | Download

AMA Style

Oppong Christopher Effah, Hughes Ofori Dompreh, Eric Appau Asante, Samuel Baah Kissi. An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana. Am J Art Des. 2019;4(4):58-67. doi: 10.11648/j.ajad.20190404.13

Copy | Download

@article{10.11648/j.ajad.20190404.13,
  author = {Oppong Christopher Effah and Hughes Ofori Dompreh and Eric Appau Asante and Samuel Baah Kissi},
  title = {An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana},
  journal = {American Journal of Art and Design},
  volume = {4},
  number = {4},
  pages = {58-67},
  doi = {10.11648/j.ajad.20190404.13},
  url = {https://doi.org/10.11648/j.ajad.20190404.13},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20190404.13},
  abstract = {Brass casting in Krofofrom is well known and unique; this is because it embodies a lot of history and the cultural heritage of the people of Krofofrom, which is portrayed in visual art forms. The purpose of this study was to examine the production processes employed during brass casting. This is because the current generation is losing in the ancient technology due to the problem of generational gap. The researchers critically observed the casting technology performed by the indigenes, interviewed some relevant people who have enough knowledge about the craft and could provide enough information which served as primary data. The descriptive method of qualitative research approach was employed in this study through interviews and observation. The study established that lost wax casting, which is popularly known as “cire per due” is still the most accurate and reliable means of reproducing complex shapes in brass or other metals with all the fine details of an original pattern.},
 year = {2019}
}

Copy | Download

TY  - JOUR
T1  - An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana
AU  - Oppong Christopher Effah
AU  - Hughes Ofori Dompreh
AU  - Eric Appau Asante
AU  - Samuel Baah Kissi
Y1  - 2019/11/15
PY  - 2019
N1  - https://doi.org/10.11648/j.ajad.20190404.13
DO  - 10.11648/j.ajad.20190404.13
T2  - American Journal of Art and Design
JF  - American Journal of Art and Design
JO  - American Journal of Art and Design
SP  - 58
EP  - 67
PB  - Science Publishing Group
SN  - 2578-7802
UR  - https://doi.org/10.11648/j.ajad.20190404.13
AB  - Brass casting in Krofofrom is well known and unique; this is because it embodies a lot of history and the cultural heritage of the people of Krofofrom, which is portrayed in visual art forms. The purpose of this study was to examine the production processes employed during brass casting. This is because the current generation is losing in the ancient technology due to the problem of generational gap. The researchers critically observed the casting technology performed by the indigenes, interviewed some relevant people who have enough knowledge about the craft and could provide enough information which served as primary data. The descriptive method of qualitative research approach was employed in this study through interviews and observation. The study established that lost wax casting, which is popularly known as “cire per due” is still the most accurate and reliable means of reproducing complex shapes in brass or other metals with all the fine details of an original pattern.
VL  - 4
IS  - 4
ER  -

Copy | Download

Author Information

Oppong Christopher Effah

Department of General Art Studies, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana
Hughes Ofori Dompreh

Department of Industrial Art, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana
Eric Appau Asante

Department of General Art Studies, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana
Samuel Baah Kissi

Department of Industrial Art, Kwame Nkrumah University of Science and Technology, Kumasi, Ghana

Download PDF

Sections

Plain Text BibTeX RIS

APA Style

Oppong Christopher Effah, Hughes Ofori Dompreh, Eric Appau Asante, Samuel Baah Kissi. (2019). An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana. American Journal of Art and Design, 4(4), 58-67. https://doi.org/10.11648/j.ajad.20190404.13

Copy | Download

ACS Style

Oppong Christopher Effah; Hughes Ofori Dompreh; Eric Appau Asante; Samuel Baah Kissi. An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana. Am. J. Art Des. 2019, 4(4), 58-67. doi: 10.11648/j.ajad.20190404.13

Copy | Download

AMA Style

Oppong Christopher Effah, Hughes Ofori Dompreh, Eric Appau Asante, Samuel Baah Kissi. An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana. Am J Art Des. 2019;4(4):58-67. doi: 10.11648/j.ajad.20190404.13

Copy | Download

@article{10.11648/j.ajad.20190404.13,
  author = {Oppong Christopher Effah and Hughes Ofori Dompreh and Eric Appau Asante and Samuel Baah Kissi},
  title = {An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana},
  journal = {American Journal of Art and Design},
  volume = {4},
  number = {4},
  pages = {58-67},
  doi = {10.11648/j.ajad.20190404.13},
  url = {https://doi.org/10.11648/j.ajad.20190404.13},
  eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ajad.20190404.13},
  abstract = {Brass casting in Krofofrom is well known and unique; this is because it embodies a lot of history and the cultural heritage of the people of Krofofrom, which is portrayed in visual art forms. The purpose of this study was to examine the production processes employed during brass casting. This is because the current generation is losing in the ancient technology due to the problem of generational gap. The researchers critically observed the casting technology performed by the indigenes, interviewed some relevant people who have enough knowledge about the craft and could provide enough information which served as primary data. The descriptive method of qualitative research approach was employed in this study through interviews and observation. The study established that lost wax casting, which is popularly known as “cire per due” is still the most accurate and reliable means of reproducing complex shapes in brass or other metals with all the fine details of an original pattern.},
 year = {2019}
}

Copy | Download

TY  - JOUR
T1  - An Examination of the Production Processes of Brass Casting Among the Asantes: The Case of Krofofrom in Ashanti Region of Ghana
AU  - Oppong Christopher Effah
AU  - Hughes Ofori Dompreh
AU  - Eric Appau Asante
AU  - Samuel Baah Kissi
Y1  - 2019/11/15
PY  - 2019
N1  - https://doi.org/10.11648/j.ajad.20190404.13
DO  - 10.11648/j.ajad.20190404.13
T2  - American Journal of Art and Design
JF  - American Journal of Art and Design
JO  - American Journal of Art and Design
SP  - 58
EP  - 67
PB  - Science Publishing Group
SN  - 2578-7802
UR  - https://doi.org/10.11648/j.ajad.20190404.13
AB  - Brass casting in Krofofrom is well known and unique; this is because it embodies a lot of history and the cultural heritage of the people of Krofofrom, which is portrayed in visual art forms. The purpose of this study was to examine the production processes employed during brass casting. This is because the current generation is losing in the ancient technology due to the problem of generational gap. The researchers critically observed the casting technology performed by the indigenes, interviewed some relevant people who have enough knowledge about the craft and could provide enough information which served as primary data. The descriptive method of qualitative research approach was employed in this study through interviews and observation. The study established that lost wax casting, which is popularly known as “cire per due” is still the most accurate and reliable means of reproducing complex shapes in brass or other metals with all the fine details of an original pattern.
VL  - 4
IS  - 4
ER  -

Copy | Download