Research Article | | Peer-Reviewed

Ancient Greek Engraved Gems: A New Proposal for Interpretation

Published in Innovation (Volume 5, Issue 1)
Received: 14 October 2023    Accepted: 2 November 2023    Published: 8 January 2024
Views:       Downloads:
Abstract

Traditionally, the typology of engraved gems has been divided into two broad categories: property seals and amulets or talismans. With the idea of analyzing them in depth, it is possible to classify these two groups as seals for civil or practical use and seals for therapeutic or magical use. After carefully studying their iconography and thoroughly analyzing the Greco-Roman sources, we have divided the first type of seals, those for civil or practical use, into several subgroups: administrative and official seals, personal seals and seals for initiations. In this article, we will be talking specifically about the group of seals that we considered might have been intended for initiations, as a way of trying to give an answer to the questions that arose when we studied the iconography of this small but very interesting objects. The subjects covered by this kind of seals being are mainly hybrid beings, heroes (specifically Heracles) and the gods Hermes, Aphrodite and Eros. Even though we know the proposal is kind of daring, we think it could give a new approach to the study of seals and new ideas to bear in mind when explaining the iconography. To finish the paper, we also share some evidence to support this proposal, coming from both written sources and iconography.

Published in Innovation (Volume 5, Issue 1)
DOI 10.11648/j.innov.20240501.13
Page(s) 31-40
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2024. Published by Science Publishing Group

Keywords

Seals, Initiations, Hybrid Beings, Heracles, Aphrodite, Hermes

References
[1] APOLODORO, 1985. Biblioteca, Trad. Margarita Rodríguez de Sepúlveda, Biblioteca Clásica Gredos, Madrid.
[2] BOARDMAN, John, 1972. Greek Gems and Finger Rings. Early Bronze Age to Late Classical, Harry Abrams, Inc., Publishers, New York.
[3] BOWDEN, Hugh, 2010. Mystery Cults in the Ancient World, Thames & Hudson, London.
[4] BRASEY, Édouard, 2001. Sirenas y ondinas, José J. de Olañeta Editor, Palma de Mallorca.
[5] BRELICH, Angelo, 1981. Paides e parthenoi, Edizioni dell’Ateneo, s.p.a., Rome.
[6] BREMMER, Jan N., 2017. The Initiation of Heracles, https://www.academia.edu/30803937/The_Initiation_of_Heracles.
[7] BURKERT, Walter, 2000. Greek religión, Blackwell Publishers, Oxford.
[8] CALHOUN, George Miller, 1913. Athenian Clubs in Politics and Litigation, The University of Texas Bulletin, Austin.
[9] DEMAKOPOULOU, Katie (ed.). 1996. The Aidonia Treasure. Seals and jewellery of the Aegean Late Bronze Age, Ministry of Culture, Athens.
[10] DODD, David B.; FARAONE, Christopher A. (eds.). 2003. Initiation in ancient greek rituals and narratives, Routledge, London/New York.
[11] ESPEJO MURIEL, Carlos, 1990. Grecia: sobre los ritos y las fiestas, Universidad de Granada, Granada.
[12] FARAONE, Christopher A., 2013. Heraclean Labor son Ancient Greek Amulets: Myth into Magic or Magic into Myth?, in “Mito y magia en Grecia y Roma”, Libros Pórtico, Barcelona.
[13] HOFFMANN, Herbert, 1999. The riddle of the Sphinx: a case study in Athenian immortality symbolism, en “Classical Greece. Ancient histories and modern archaeologies”, Cambridge University Press, Cambridge.
[14] IRIARTE, Ana, 1990. Las redes del enigma. Voces femeninas en el pensamiento griego, Taurus Humanidades, Madrid.
[15] JEANMAIRE, Henri, 1975. Couroi et courètes. Essai sur l’éducation spartiate et sur les rites d’adolescence dans l’antiquité hellénique, Arno Press, Nueva York.
[16] JENOFONTE, 1991. Anábasis, Trad. Ramón Bach Pellicer, Biblioteca Clásica Gredos, Madrid.
[17] KLOPPENBORG, John S.; ASCOUGH, Richard S., 2011. Greco-roman associations: texts, translations and commentary. I. Attica, Central Greece, Macedonia, Thrace, De Gruyter, Berlín.
[18] LA FONTAINE, Jean S., 1987. Iniciación. Drama ritual y conocimiento secreto, Editorial Lerna, Barcelona.
[19] LAPATIN Kenneth, 2015. Luxus. The sumptuous arts of Greece and Rome, J. Paul Getty Museum, Los Angeles.
[20] LARSON, Jennifer, 2007. Ancient Greek Cults. A guide, Routledge, Nueva York.
[21] LISARRAGUE, François, 1993. On the Wildness of Satyrs, en “Masks of Dionysus”, Cornell University Press, Nueva York.
[22] LORAUX, Nicole, 1990. Herakles: The Super-Male ad the Feminine, in “Before sexuality. The construction of erotic experience in the ancient greek world”, Princeton University Press, Princeton.
[23] MACROBIO, 2010. Saturnales, Trad. Fernando Navarro Antolín, Biblioteca Clásica Gredos, Madrid.
[24] MARINATOS, Nano, 2003. Striding across boundaries. Hermes and Aphrodite as gods of initiation, in “Initiation in ancient Greek rituals and narratives”, Routledge, London/Nueva York.
[25] MOREAU, Alain, 1992. Initiation en Grèce antique, in “Dialogues d'histoire ancienne”, vol. 18, n. 1.
[26] MORET, Jean-Marc, 1984. Oedipe, la sphinx et les thébains. Essai de mythologie iconographique, (2 vol.), Institut Suisse de Rome, Geneve.
[27] — 1986. Quelques observations à propos de l’iconographie attique du mythe d’Oedipe, en “Edipo. Il teatro greco e la cultura europea”, Atti del Convegno Internazionale, Edizioni dell’Ateneo, Roma.
[28] PAUSANIAS, 1995. Descripción de Grecia (3 vol.), Trad. María Cruz Herrero Ingelmo, Planeta DeAgostini, Barcelona.
[29] PINI, Ingo, 1992. La glíptica cretomicénica, in “El mundo micénico. Cinco siglos de la primera civilización europea 1600-1100 a.C.”, Museo Arqueológico Nacional, Madrid.
[30] PLATÓN, 1997. Diálogos III: Fedón, Banquete, Fedro, Biblioteca Clásica Gredos, Madrid.
[31] PLATT, Verity, 2006. Making an impression: replication and the ontology of the graeco-roman seal Stone, in “Art History”, vol. 29, Nº 2, Blackwell Publishing, Oxford, April.
[32] PLINIO EL VIEJO, 1993. Lapidario, Trad. Avelino Domínguez García e Hipólito-Benjamín Riesco, Alianza Editorial, Madrid.
[33] PLUTARCO, 1996. Obras morales y de costumbres (Moralia), Vol. I-VIII, Biblioteca Clásica Gredos, Madrid.
[34] — 2006. Vidas paralelas, Vol. III-VI, Biblioteca Clásica Gredos, Madrid.
[35] REDFIELD, James, 2003. Initiations and initiatory experience, in “Initiation in ancient greek rituals and narratives”, Routledge, London/Nueva York.
[36] — 2003. The Locrosan Maidens. Love and Death in Greek Italy, Princeton University Press, New Jersey.
[37] RICHTER, Gisela M. A., 1968. Engraved gems of the greeks and the etruscans, Phaidon Press Ltd., Londres.
[38] TEMISTIO, 2000. Discursos políticos, Trad. Joaquín Ritoré Ponce, Biblioteca Clásica Gredos, Madrid.
[39] TERTULIANO, 2001. Apologético. A los gentiles, Trad. Carmen Castillo García, Biblioteca Clásica Gredos, Madrid.
[40] VERNANT, Jean-Pierre, 2001. El individuo, la muerte y el amor en la antigua Grecia, Paidós, Barcelona.
[41] VIDAL-NAQUET, Pierre, 1983. Formas de pensamiento y formas de sociedad en el mundo griego. El cazador negro, Ediciones Península, Barcelona.
[42] 2003. Seres híbridos. Apropiación de motivos míticos mediterráneos. Actas del seminario exposición, Museo Arqueológico Nacional, Ministerio de Educación, Cultura y Deporte, Madrid.
Cite This Article
  • APA Style

    Arnal, E. A. (2024). Ancient Greek Engraved Gems: A New Proposal for Interpretation. Innovation, 5(1), 31-40. https://doi.org/10.11648/j.innov.20240501.13

    Copy | Download

    ACS Style

    Arnal, E. A. Ancient Greek Engraved Gems: A New Proposal for Interpretation. Innovation. 2024, 5(1), 31-40. doi: 10.11648/j.innov.20240501.13

    Copy | Download

    AMA Style

    Arnal EA. Ancient Greek Engraved Gems: A New Proposal for Interpretation. Innovation. 2024;5(1):31-40. doi: 10.11648/j.innov.20240501.13

    Copy | Download

  • @article{10.11648/j.innov.20240501.13,
      author = {Elena Almirall Arnal},
      title = {Ancient Greek Engraved Gems: A New Proposal for Interpretation},
      journal = {Innovation},
      volume = {5},
      number = {1},
      pages = {31-40},
      doi = {10.11648/j.innov.20240501.13},
      url = {https://doi.org/10.11648/j.innov.20240501.13},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.innov.20240501.13},
      abstract = {Traditionally, the typology of engraved gems has been divided into two broad categories: property seals and amulets or talismans. With the idea of analyzing them in depth, it is possible to classify these two groups as seals for civil or practical use and seals for therapeutic or magical use. After carefully studying their iconography and thoroughly analyzing the Greco-Roman sources, we have divided the first type of seals, those for civil or practical use, into several subgroups: administrative and official seals, personal seals and seals for initiations. In this article, we will be talking specifically about the group of seals that we considered might have been intended for initiations, as a way of trying to give an answer to the questions that arose when we studied the iconography of this small but very interesting objects. The subjects covered by this kind of seals being are mainly hybrid beings, heroes (specifically Heracles) and the gods Hermes, Aphrodite and Eros. Even though we know the proposal is kind of daring, we think it could give a new approach to the study of seals and new ideas to bear in mind when explaining the iconography. To finish the paper, we also share some evidence to support this proposal, coming from both written sources and iconography.
    },
     year = {2024}
    }
    

    Copy | Download

  • TY  - JOUR
    T1  - Ancient Greek Engraved Gems: A New Proposal for Interpretation
    AU  - Elena Almirall Arnal
    Y1  - 2024/01/08
    PY  - 2024
    N1  - https://doi.org/10.11648/j.innov.20240501.13
    DO  - 10.11648/j.innov.20240501.13
    T2  - Innovation
    JF  - Innovation
    JO  - Innovation
    SP  - 31
    EP  - 40
    PB  - Science Publishing Group
    SN  - 2994-7138
    UR  - https://doi.org/10.11648/j.innov.20240501.13
    AB  - Traditionally, the typology of engraved gems has been divided into two broad categories: property seals and amulets or talismans. With the idea of analyzing them in depth, it is possible to classify these two groups as seals for civil or practical use and seals for therapeutic or magical use. After carefully studying their iconography and thoroughly analyzing the Greco-Roman sources, we have divided the first type of seals, those for civil or practical use, into several subgroups: administrative and official seals, personal seals and seals for initiations. In this article, we will be talking specifically about the group of seals that we considered might have been intended for initiations, as a way of trying to give an answer to the questions that arose when we studied the iconography of this small but very interesting objects. The subjects covered by this kind of seals being are mainly hybrid beings, heroes (specifically Heracles) and the gods Hermes, Aphrodite and Eros. Even though we know the proposal is kind of daring, we think it could give a new approach to the study of seals and new ideas to bear in mind when explaining the iconography. To finish the paper, we also share some evidence to support this proposal, coming from both written sources and iconography.
    
    VL  - 5
    IS  - 1
    ER  - 

    Copy | Download

Author Information
  • Estudios Hispánicos Department, University de Barcelona, Barcelona, Spain

  • Sections